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Editorial

GABRIEL MOSES TAKES OVER NEW YORK: FATIMA, TRAVIS SCOTT, AND THE ART OF CULTURAL DOMINATION.”

Gabriel Moses continues to redefine contemporary storytelling, merging photography, film, and culture into a seamless artistic narrative. Fresh off his successful collaboration with British trailblazers Mowalola, Clint, and Olaoluslawn for i-D magazine Moses takes his creative prowess across the Atlantic, debuting his latest short film, Fatima, in New York. Premiering on November 14, 2024, Fatima features none other than Travis Scott, a cultural icon in his own right. Moses didn’t just drop the film and walk away—he masterfully built anticipation with a series of teasers and his trademark portraits, one even spotlighting Kanye “ye” West. These visual appetizers set the internet ablaze, ensuring that the exhibition, which runs until December 20, 2024, had its moment well before the doors opened. This U.S. debut is more than a creative detour; it’s a deliberate move to solidify his global influence. The phrase “Who can’t hear must feel,” Moses’ personal mantra, resonates in every project he touches. It’s not just words—it’s the foundation of a work ethic that’s quickly becoming iconic. His aesthetic, instantly recognizable and unrelentingly fresh, has already left its mark on some of the biggest names in culture. From the moody, evocative visuals he created for Wizkid to his collaboration with streetwear juggernaut Cortiez and the intricate storytelling in his work with Denim Tears, Moses is weaving a legacy that’s impossible to ignore. Each project is a step forward, culminating in the breathtaking artistry of Fatima. But if you thought this was the pinnacle, think again. Moses has made it clear—this is only the beginning. With an internet presence that rivals his creative output, he’s not just shaping culture; he’s setting the standard for what it means to create in the digital age. Whether you’re drawn to the star-studded allure of Travis Scott and Kanye West or the understated brilliance of his collaborations with Wizkid and Cortiez, one thing is certain: Gabriel Moses isn’t slowing down. And if you’re not paying attention, you’ll miss a cultural moment that’s defining this generation. Have you seen Fatima by Gabriel Moses?

GABRIEL MOSES TAKES OVER NEW YORK: FATIMA, TRAVIS SCOTT, AND THE ART OF CULTURAL DOMINATION.” Read More »

FACES AT THE AFROCENTRIC EKPO X BL BRAND FASHION WEEK AFTER PARTY

The much-anticipated Ekpo x BL Brand Fashion Week After Party” was nothing short of spectacular. Building on their previous successful collaborations, the Ekpo team and BL brand set out to create a truly unforgettable evening during Lagos Fashion Week. This wasn’t just about showcasing fashion or hosting a typical gathering; it was about merging the essence of Afrocentric culture with the energy of Lagos nightlife. Leading up to the event, Ekpo knew they needed something bold. The usual coverage of “street style” and “standout brands” wasn’t going to cut it for this season. The vision was clear: a vibrant Afrocentric experience filled with music, fashion, and an atmosphere that celebrated creativity. It was then that BL stepped in as the perfect collaborator, adding their signature contemporary Afrocentric touch. As the event commenced, the ambiance was set with rhythmic beats, Afro-inspired decor, and a buzz of excitement. True to tradition, guests arrived fashionably late, perfectly on time according to “African time.” The energy picked up swiftly as attendees mingled and explored the artistic vibe that only Ekpo and BL could deliver. The introduction of both brands was met with applause, setting the stage for an evening of fun and fashion. The ever-lively MC orchestrated games and riddles, sparking laughs and engagement from the crowd. The heart of the night came when BL Brand showcased their latest Afrocentric pieces with a contemporary twist. The fashion show was more than an exhibition—it was a celebration of identity, creativity, and craftsmanship that turned heads and garnered nods of appreciation. With the runway wrapped up, the night moved seamlessly into an all-out celebration. The DJ spun tracks that had everyone on their feet, while food and drinks flowed freely, adding to the electrifying vibe. Attendees reveled in the lively atmosphere, mingling and dancing without a care, celebrating fashion and community in its purest form. From the start of the party to the final beat of the music, the Ekpo x BL Afrocentric afterparty was the pinnacle of what fashion week afterparties should embody. Guests left with stories, connections, and memories that would last well beyond the night. The event set a high standard and only amplified the anticipation for Ekpo’s future events. The Afrocentric fashion week after party was a testament to what is possible when two passionate teams collaborate with a shared vision. This event not only celebrated fashion but also embraced the essence of what makes such nights unforgettable—community, culture, and creativity. We’re all eager to see where Ekpo and their innovative approach to events will go next. Check out more scenes from the Afrocentric Fashion week after party below:

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LIGHTS, CAMERA, AND A FEW GOOD LOOKS: BEST MALE LOOKS AT THE NETFLIX NIGERIA RED CARPET

Over the weekend in early November, Netflix Nigeria brought together an elite crowd of Nollywood’s finest for a night of glamour and recognition. Aptly named “Lights, Camera, Naija,” the event highlighted the industry’s trailblazers and rising stars in a celebration that felt as vibrant as the country’s cinematic heartbeat. Hosted by the ever-chic and undeniably charismatic Ebuka Obi-Uchendu, the soirée took place in the cultural and entertainment hub of Victoria Island, Lagos State. The anticipation of seeing the most captivating fashion moments on the red carpet was high, and while it’s fair to say that standout looks were fewer than expected, especially among the male attendees. There were still some noteworthy appearances that commanded attention. here are some of our Best Male looks at Netflix Nigeria Red carpet These standout looks brought some needed charm to the event, even as the overarching focus remained on celebrating Nollywood’s growth and Netflix’s dedication to showcasing Nigerian storytelling. “Lights, Camera, Naija” was more than just a glitzy gathering; it was a nod to the immense strides the Nigerian film industry has made on both local and international fronts. Netflix has been an instrumental partner in broadcasting Nollywood stories to a global audience, and this event was a testament to that relationship.

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UNVLD’S VISION FOR CONTEMPORARY READY-TO-WEAR

AN INTERVIEW WITH THE FOUNDER AND CREATIVE DIRECTOR By David Courage-ode For Ekpo Magazine UNVLD is a high-end contemporary unisex ready-to-wear brand, founded by Raf twice in 2019. pronounced as ‘Unveiled’ and inspired by the word itself. “UNVLD embodies how I feel about my creative process. It’s about unveiling my ideas and transforming them into tangible pieces. Each creation is a reflection of my journey, blending innovative concepts with contemporary style,” he says. EKPO: How did it all start? How did you get into fashion? Raf: My journey into fashion began back in school when I co-founded a clothing brand called Blunt-Supply (BS) with my cousin. From 2015 to 2018, we made some notable strides, including our 2017 fall collection in the UK. This experience deepened my passion for fashion. Unfortunately, due to personal reasons, we had to discontinue the brand. However, this initial venture laid the foundation for my enduring interest in the fashion industry. EKPO: What is your vision for UNVLD? Raf: My vision for UNVLD is to transform unique ideas into tangible pieces that people can interact with. I aim to create clothing and accessories that not only reflect individuality but also resonate on a personal level with those who wear them. By blending creativity with quality, I want UNVLD to inspire and empower people to express themselves through fashion. EKPO: Who are your biggest influences? Raf: My biggest influences have been Soulja Boy and Virgil Abloh. Soulja Boy’s style inspired me during my school days, while Virgil Abloh’s innovative approach has fueled my creativity and pushed me to think outside the box. Their impact on my journey in fashion has been profound, shaping the way I approach design and creativity. EKPO: What is next for Unvld ? Raf: My journey with UNVLD sounds exciting! The next steps for UNVLD seem promising. With My break to recollect and adapt to the changing market, sourcing the best fabrics, and the unique “Get Familiar” drop strategy, I’m setting a strong foundation for the brand. Raf’s vision is far-reaching, and his commitment to creating designs that unveil new perspectives continues to fuel UNVLD’s growth.

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RAVING, DRIPPING, AND LIVING: VOGUEBOYS’ TAKE ON NIGERIAN NIGHTLIFE

AN INTERVIEW WITH THE POWER HOUSE BEHIND VOGUEBOYS By Ikenna Churchill For Ekpo Nigeria In Nigeria, the nightlife scene is evolving, and Vogueboys is right at the center of that change. Led by Ebuka, Vogueboys is reshaping the way young people experience parties, with events that blend fashion, music, and lifestyle into something fresh. Through their raves and cookouts—held across Lagos, Abuja, and Port Harcourt—they are breaking old rules and creating spaces where people can show up, express themselves, and just have fun. The journey started in 2020 with a beach party meant to celebrate Vogueboys’ community and collaborators. “That party was mad,” Ebuka laughs. “Everyone kept asking when the next one would be.” From there, Vogueboys turned into an extension of Ebuka’s production company—where they could explore what he calls the more “irresponsible” side of creativity. “It’s a playful sub-brand for us to do things like parties and merchandise without overthinking.” These parties are far from regular. Vogueboys’ idea of a good time—what they call “raging”—comes from how they already party with friends and family. “We’re like a big family that just grew bigger with adopted friends,” Ebuka says. “Our nights out are always wild and free, and that’s exactly what we want people to feel at our events.” The goal is for everyone, even strangers, to let go without worrying about judgment. Whether it’s through creative twists in party design or fashion statements, Vogueboys makes sure that every event feels new and different. Breaking the Rules Vogueboys don’t just throw parties—they challenge how parties are done. The Easter Cookout came from their frustration with so-called pool parties where no one touched the water. “People would show up in jeans and hoodies to a pool party,” Ebuka says, shaking his head. “We decided Lagos youths needed to get wet and sweaty.” That’s how the Easter Cookout was born. Over time, it became the Summer Cookout, a waterpark festival that people now love—and copy. Then there’s Dirty, Sexy Rave—Vogueboys’ take on a warehouse rave. Ebuka believes Nigeria’s diversity is perfect for such events. “Our culture is too rich to limit raves to one type of music or crowd,” he tells Ekpo Nigeria. The idea is simple: give people a playground to be their sexiest, most authentic selves for one night—no fear, no harassment. “Nothing like this existed here before,” he adds. “So, we had to do something about it.” Adjusting to Different Cities Vogueboys has held events in Lagos, Abuja, Port Harcourt, and even Ibadan. Each city comes with its own vibe, but Ebuka insists that, at the core, everyone just wants to have a great time. “Once people dress up and leave the house, they’re hoping the event will be worth all the trouble,” he says. For Vogueboys, the key is creating a space that makes people feel free enough to have fun. “If you get that right, every city starts to feel the same.” Beyond music and drinks, Vogueboys pays attention to every detail of their events, from venue design to crowd flow. “We’ve taught a new generation of event planners to think deeper than just booking a DJ and setting up a bar,” Ebuka says. “Every aspect of the experience matters.” Challenges and Lessons Building Vogueboys hasn’t been easy. Ebuka admits that one of the biggest challenges has been doing it all without major backing. “We’ve had to self-fund everything from the beginning,” he tells Ekpo Nigeria. “And even though it’s not profitable yet, we keep going.” Staying ahead is also a challenge. “Every time we bring out a new idea, someone copies it in no time,” Ebuka laughs. “But I don’t mind. It keeps the scene alive and pushes us to think even harder.” Despite the obstacles, Vogueboys has already made a noticeable impact. “If you look at pool parties now, people are more likely to get in the water,” Ebuka points out. “You’ll see water guns at events, and there’s more effort in making parties feel like experiences. Those things weren’t common before 2021.” The Road Ahead Ebuka has big dreams for Vogueboys. “We’re working towards becoming the biggest exporter of Nigerian entertainment and youth culture,” he says. He also wants Vogueboys to create a structure that makes it easier for independent artists and brands to tour Nigeria. “We want to help them connect with the right audiences across the country through unique events.” With their fearless spirit and commitment to staying ahead, Vogueboys is not just a passing trend. They are changing how Nigerians think about nightlife, setting new standards for creativity and inclusivity. Ebuka’s vision is clear: create a space where people feel free to express themselves, where creativity thrives, and where anyone can join the rave. As the nightlife scene in Nigeria keeps evolving, Vogueboys is leading the charge with events that are bold, exciting, and truly original. Whether it’s a sweaty cookout or an underground rave, they are proving that Nigerian nightlife is much more than just music and drinks—it’s a whole vibe.

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STANDOUT BRANDS AT LAGOS FASHION WEEK 2024

Yet another Lagos Fashion Week has come and gone, and we can’t help but highlight the standout brands that captivated us this season in the fashion capital of West Africa. Beyond the runway spectacle, this year’s edition brought its share of surprises, from unexpected celebrity appearances to a bit of weather chaos on day three. Amid the buzz and media moments, a few brands stood out—not just for the headlines but for their distinct and intentional approach, each leaving a lasting impression. Without delay, here are our standout brands at Lagos Fashion Week 2024. Oshobor: A Celebration of Edo Culture At this point, it’s almost customary to include the slow fashion, Benin-based brand Oshobor on any list of standout brands from Lagos Fashion Week. This year was no different, as the brand captivated attendees with an unapologetically bold exhibition. The show opened with an entrance from a trending plus-size model, whose video from the Lagos Fashion Week auditions has sparked conversations across social media. Captioned “EDO ODION”, the collection was a vibrant celebration of Edo culture, utilizing innovative techniques on unique textiles to honor and elevate traditional artistry. It’s this balance of bold, unapologetic representation and masterful craftsmanship that keeps Oshobor at the forefront. ESO by Lima: A Fusion of Culture and Modernity Eso by Lima’s “North, West and East” collection took audiences on a journey through the diverse layers of contemporary culture. This collection honors the beauty of diversity through its blend of traditional and contemporary styles. Using fabrics like mesh alongside textured aso oke, each piece exudes a distinct vibe that reflects both the cultural richness and modern creativity at the heart of today’s fashion. Through ESO by Lima, Lagos Fashion Week showcased an intricate mix of heritage and innovation that embodies the spirit of Nigerian fashion’s ever-evolving aesthetic. Ejiro Amos Tafiri: Tradition and Craftsmanship Ejiro Amos Tafiri enchanted audiences with “The Symphony of Convergence,” a collection that unified tradition with modern design elements. The collection, made for both adults and kids, celebrated the depth of heritage and the artistry of Nigerian craftsmanship. Every piece on display was more than just fashion—it was wearable art that paid homage to generations of artisans and cultural storytellers. This was a show that connected the past to the present, reminding us all of the timeless beauty found in heritage. Dimeji Ilori: The Essence of Indigenous Craft Making a remarkable debut as a Green Access 2024 finalist, Dimeji Ilori showcased a collection crafted from traditional materials, notably vintage Èni mats from Sokoto State in northern Nigeria. This eco-conscious collection was crafted by local women artisans, whose intricate handiwork brought life to each garment. The designs were an homage to Nigeria’s vast cultural diversity, with each piece reflecting a unique, eco-friendly aesthetic. Through this collection, Dimeji Ilori reminded audiences of the beauty in sustainability and the potential of indigenous materials in high fashion. Ugo Monye: A Display of Royalty and Cultural Pride Ugo Monye’s SS25 collection left an indelible mark on Lagos Fashion Week with its sophisticated, culturally inspired pieces. The show was elevated by the presence of a DMW star on the front line, drawing attention to the exquisite craftsmanship and opulence of this African luxury brand. The SS25 collection fused luxurious fabrics, intricate designs, and bold, rich colors, each look radiating a sense of royalty and cultural pride. The result was a stunning narrative that celebrated identity and sophistication—a testament to Ugo Monye’s commitment to high-quality fashion that honors African heritage. Reflecting on Lagos Fashion Week 2024 This year, Lagos Fashion Week once again solidified itself as a global fashion event, showcasing brands that blend culture, sustainability, innovation, and craftsmanship. These standout brands highlighted the diversity and vibrancy of Nigerian fashion, each contributing to the tapestry of what happened at Lagos Fashion Week 2024. From honoring cultural traditions to pushing the envelope of contemporary style, these designers and their collections are paving the way for future fashion stories in Nigeria and beyond.

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MAGACIDE: THE BOLD NEW EDITORIAL PROJECT BY MAGA WTF

TW: Offensive images Maga WTF is back with something that’s sure to shake up the creative world, Magacide, an editorial project that boldly slashes through the conventional. For those familiar with Maga’s work, the name alone signals something intense. According to Maga, this latest project symbolizes a personal transformation, one that dives headfirst into uncharted waters. “Coming off a hot year + 24, I thought it’s best I 🔪 the old me and bring you guys along into my new era of ‘unsafe’ work.” The timing couldn’t be more perfect. After years of building a reputation for pushing boundaries, Maga WTF is now embracing a more unapologetic style. In his words, he’s done playing it safe, and Magacide serves as a visual representation of that shift. Collaboration with Tallguyconnor and Debby April Part of what makes Magacide such a compelling editorial is the collaboration that brought it to life. Tallguyconnor, who connected with Maga over Kavyar, helped to create the project remotely. And while the project is innovative in terms of concept, it also stays true to Maga WTF’s signature style through the involvement of Debby April, a frequent muse and collaborator of the creative director. Debby April, known for her fierce and raw performances in front of the camera, plays a pivotal role in the Magacide editorial. Her ability to channel intensity and emotion has always stood out, but in this project, the gruesome nature of the shoots reaches a whole new level. These visuals aren’t for the faint-hearted, but they represent the authenticity and rawness Maga WTF has long been known for. The Artistic Kill Switch What’s so intriguing about Magacide is the artist’s decision to “kill” his old self. It’s not just a clever metaphor—it’s an outright commitment to evolve beyond previous limitations. Maga’s pledge of “no more long artist statements” hints at his desire to let the art speak for itself, a move that emphasizes visual storytelling over explanation. While the project may come off as jarring to some, it’s clear that Maga is stepping into an era where his work is meant to disrupt and provoke. In a world where safe is celebrated, Magacide flips the narrative. This editorial is about breaking comfort zones, embracing fearlessness, and inviting audiences to confront the dark, visceral side of creative expression. It’s that edge, that rawness, that makes the collaboration between Maga WTF, Tallguyconnor, and Debby April so magnetic. What to Expect from Maga WTF’s New Era As Magacide kicks off Maga WTF’s “unsafe” era, it signals much more than a new editorial—it’s the start of a fresh phase in his creative journey. Whether you’re drawn to the gruesome aesthetic or captivated by the deeper story behind it, one thing is certain: Maga is no longer interested in holding back. Magacide stands as a proclamation that from here on out, things are going to get a whole lot more unpredictable. The release of Magacide has set the stage for a new kind of creative revolution. What’s next for Maga WTF? Only time will tell, but if this project is any indication, we’re in for a wild, unsafe ride. Shoutout to Tallguyconnor for bringing his vision to life remotely, and major props to Debby April for once again stealing the show as Maga WTF’s muse. check out the some of the editorial shots below: Art Director and Stylist: @magawtf_Photography: @tallguyconnorTalent: @debby_aprilMakeup: @thenskbeautyHair: @essahaiirPhotography Assistant: @simonapranulyteMovement: @_f4teh_

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GRINGO CUSTUM: AFRO-FUTURISIM WITH SENEGALESE FLAIR

Drawing inspiration from one’s roots is a powerful force. It’s a way for designers to connect with their heritage, bringing an authentic and deeply personal influence to their work. However, while the past provides a rich tapestry to draw from, looking forward is equally essential. Enter Gringo Custum, the Senegalese-based Afro-futuristic brand founded by Neguim Yembasi. Yembasi, a Gabonese foreigner in Senegal, embraced his identity as a “gringo” a term often used to describe foreigners—while navigating the unique energy of his new surroundings. This acceptance of his outsider status became the cornerstone of his brand, shaping its identity and ethos. Gringo Custum isn’t just about fashion; it’s about the narrative behind each creation. According to the brand, “We tend to believe that a style and a trend belong to an era or category of individuals. This would limit the rise of fashion and its creativity.” With this philosophy, Gringo Custum transcends traditional boundaries using fashion as a medium to convey stories and messages that challenge conventional norms. The brand thrives on contrasts, drawing inspiration from environments that may seem dirty or unpolished but hold immense creative potential. These overlooked spaces become the canvas for Gringo Custum’s exploration of cultural identity, allowing the brand to redefine luxury beyond mere aesthetics. The result are collections that breaks the codes of traditional luxury, offering a new vision of streetwear and haute couture that highlights disciplinary plurality. Gringo Custum’s latest capsule collection is a bold testament to this vision. Merging streetwear with high fashion, the collection exudes individuality and resilience capturing the essence of the Afro-futuristic movement. Each piece in the collection is meticulously crafted, blending contemporary materials with ancestral techniques to create a distinctive style that resonates with both the past and future. The collection features striking logos, rugged textures, and a fearless urban aesthetic. From distressed denim and layered prints to tailored blazers and textured pants, each look showcases a raw, unapologetic style that defies convention. The brand’s unique accessories, ranging from jewelry to ornamental clothing further embody the stories of travel, encounters, and evolution that define Gringo Custum. Neguim Yembasi’s vision for Gringo Custum is clear: to challenge the status quo and elevate African fashion on the global stage. By breaking away from traditional notions of luxury and embracing the diverse influences that shape his work Yembasi has created a brand that is not only a reflection of his own journey but also a beacon of innovation in the world of fashion. Through its bold designs and fearless approach, the brand continues to push the boundaries of creativity, making its mark as a true Afro-futuristic hub.

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SEVERE NATURE UNVEILS “A RETURNING TIME” EDITORIAL CAMPAIGN

Severe Nature has just unveiled its latest editorial campaign, titled “A Returning Time,” a deep dive into the nuanced emotions tied to nostalgia. This editorial serves as a visual exploration of the complex feelings associated with homesickness and the bittersweet longing for memories that seem to slip away with time. Through a carefully curated selection from the Severe Nature “Party Animal” collection this campaign captures and celebrates the essence of these emotions in a way that is both visually striking and thematically profound. THE PARTY ANIMAL COLLECTION The “Party Animal” collection itself is a vibrant ode to the magic of disco and the adrenaline-pumping thrill of unforgettable nights out. It features bold prints designed to make a statement, embodying the carefree energy and excitement that summer brings. the collection is a testament to Severe Nature’s commitment to creating fashion that resonates on both a personal and cultural level. In “A Returning Time,” each piece from the “Party Animal” collection is meticulously styled to reflect the editorial’s central theme of nostalgia. The collection’s dynamic designs, characterized by their bold colors serve as a visual representation of the emotions that come with revisiting the past. Whether it’s a longing for the vibrant nights of youth or the desire to relive moments of joy this editorial campaign encapsulates those feelings and brings them to life in a way that is both relatable and visually captivating. Severe Nature’s latest campaign stands out not only for its aesthetic appeal but also for its ability to tap into universal emotions. Director @adetolanidaviesjrShot By @prayz_gbStarring @__a.j.e.t__Set Design @aramideeStylist @styledbylarra Shot by @jurneepeterchukwu By blending the energetic spirit of the “Party Animal” collection with the reflective theme of nostalgia, Severe Nature unveils “A Returning Time” to offer a unique perspective on how fashion can evoke and express deep-seated feelings. This editorial is more than just a showcase of fashion it’s a narrative that invites viewers to reflect on their own experiences and the memories that shape who they are. With “A Returning Time,” Severe Nature continues to solidify its reputation as a brand that goes beyond the surface using fashion as a medium to tell stories that resonate on a deeper level.

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HOW ASAKE’S STYLE EVOLVED: FROM MR MONEY TO THE GLOBAL ICON

Born Ololade Ahmed, Asake has become one of the most compelling voices in Afrobeat, a genre that continues to capture the world’s attention. His music, often infused with infectious rhythms and insightful lyrics, has positioned him as a key figure in global music. But while his sound has resonated across borders, his style has also undergone a significant transformation that mirrors his journey as an artist. From his early days as “Mr Money” to his current status as a global fashion icon, Asake’s style evolution is as dynamic as his music. The “Mr Money” Era: Humble Beginnings Asake first started gaining attention during the “Mr Money” era. This period was marked by the release of his single “Mr Money,” which not only became a hit but also gave him the nickname that would stick. In this era, Asake’s style was reflective of an emerging Afrobeat artist. His look was largely unremarkable, consisting of standard streetwear outfits, formal outfits (surprisingly), dreadlocks, and a few accessories. At this stage, Asake was still finding his footing, both musically and stylistically. His attire was functional and relatable, echoing the everyday style of many young men in Nigeria’s vibrant street culture. “Mr Money (But with the Vibe)”: The Rise of a Star Asake’s breakthrough came in 2022 with the release of “Omo Ope,” a track from his debut EP “Ololade Asake.” This song, featuring his record label boss Olamide, catapulted him into the spotlight. During this period, Asake’s style began to evolve, becoming more distinctive and deliberate. His golden dreads became a signature look, often paired with bandanas that added a pop of color and personality. While his fashion choices during this era were flashier, they still lacked the consistency that would come to define his later looks. However, as the year progressed and Asake dropped hits like “Peace Be Unto You,” “Sungba Remix,” “Palazzo,” “Terminator,” and “2:30,” his style took a noticeable turn. The release of his debut album “Mr Money with the Vibe” marked a significant shift. Asake began to step out of his comfort zone, experimenting with high-end pieces and daring combinations. It was during this era that he popularized the fitted mesh top and extreme baggy pants combo, a look that quickly became synonymous with his name. His hair, too, started to see more variation, signaling the beginning of his journey toward a more polished and intentional style. “A Work of Art”: Mastering the Aesthetic By the time Asake released his sophomore album “Work of Art,” he had fully embraced his role as both a musical and style icon. His style, much like his music, had matured and taken on a life of its own. Collaborating with celebrity stylists and creative directors like Raya, Elizabeth, and Linda Calixte, Asake began to craft a series of unforgettable looks that blended extravagance with streetwear chic. This era was characterized by bold fashion statements, both on and off the stage. Asake’s performances featured extravagant stage costumes, from elaborate ensembles that showcased his love for luxury to more avant-garde pieces that pushed the boundaries of Afrobeat fashion. His hairstyles during this period also became more experimental, with the introduction of noodle-like dreads and big, short chunky dreads. These hairstyles became integral to his identity, further distinguishing him from his peers. Asake’s magazine features during this period, including spreads in prestigious publications like GQ, rolling stone, etc highlighted his evolving style. These appearances solidified his status as a fashion-forward artist who was unafraid to take risks. His streetwear choices, often a mix of high-end and accessible brands, reflected his deep connection to his roots while also embracing global fashion trends. “The Lungu Boy”: Embracing Afrocentric Urban Aesthetics Asake’s most recent phase, marked by the release of his third studio album “Lungu Boy,” represents yet another evolution in his style journey. Ahead of this album’s rollout, Asake made a bold move by cutting his iconic dreads down to a fro, signaling a new chapter both in his career and personal style. This change was more than just a haircut; it was a statement of intent, showing that Asake was ready to explore new aesthetics while staying true to his Afrocentric roots. The “Lungu Boy” era is characterized by a mix of Afrocentric urban aesthetics and a more refined, mature look. The release of the single “Wave” previewed a hippy Afro-summer sound, which Asake complemented with a fresh, laid-back style that still carried the essence of his previous looks. His interactions with street culture icons like Walter Banks have influenced this new direction, blending global streetwear trends with a distinctly African flair. During this period, Asake took greater control over his style, working closely with creative directors and stylists like Succi and Kat. These collaborations resulted in a series of standout looks for major appearances, including his GQ feature, the Brit Awards, and the “Lungu Boy” world tour. Asake’s style in this era is a testament to his ability to continually reinvent himself while maintaining a strong connection to his cultural heritage. Asake’s Style Evolution: A Journey of Growth and Identity Asake’s style evolution is a reflection of his journey as an artist. From his early days as “Mr Money” with simple streetwear and dreadlocks to his current status as a global icon with a distinctive Afrocentric aesthetic Asake’s fashion choices have mirrored his growth and success in the music industry. Each era of Asake’s career has brought with it new challenges and opportunities, which he has embraced both musically and stylistically. His ability to adapt and reinvent himself has not only kept his music fresh but has also established him as a trendsetter in the world of fashion. Whether he’s rocking a mesh top and baggy pants combo or showcasing a more refined Afrocentric look, Asake’s style continues to evolve, capturing the attention of fans and fashion enthusiasts alike. As Asake continues to rise in the global music scene, his style is likely to keep evolving, reflecting his journey as an artist and his ever-growing influence.

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