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From its humble beginnings in 2018 to becoming a trailblazer in the street and skate culture scene, Nine has made its mark with a blend of creativity, innovation, and an unyielding connection to its audience. This rise to prominence didn’t happen overnight. It’s a testament to the vision and relentless drive of its founder and creative director, Tobi Naiwo. Tobi Naiwo’s journey into the world of fashion wasn’t a traditional one. At just 17, he was already dabbling in graphic and web design, skills that would later prove instrumental in the creation of Nine. What started as a passion for design, quickly evolved into a full-fledged brand that not only represents streetwear but also encapsulates the essence of Nigerian street culture. Tobi’s unique approach to blending graphic design with fashion allowed Nine to stand out in a crowded market, where creativity is the currency, and innovation is key. The brand’s latest move in the streetwear scene is nothing short of genius. Recently, Nine teamed up with three other rising streetwear brands—Pre-Occupied Society, Homeland, and Fiends from the West Side—to execute a guerrilla marketing tactic that has everyone talking. The collaboration resulted in a limited-edition tee, sold exclusively at a pop-up event in Abuja, the capital city of Nigeria. What made this event even more remarkable was the price—just one thousand Naira. This strategy not only created a buzz around the brands involved but also underscored Nine’s commitment to making streetwear accessible and exciting for everyone. This collaboration isn’t just a marketing stunt; it’s a statement. It’s about unity within the streetwear community, about the power of collective creativity, and most importantly, it’s about establishing Nine as a brand that’s not afraid to take risks. By aligning itself with other emerging brands, Nine is showing that it’s a force to be reckoned with, one that is pushing the boundaries of what streetwear can be in Nigeria. But Nine’s journey to the top isn’t just about strategic collaborations and clever marketing. The brand’s success can also be attributed to its ability to stay connected with its audience. Nine doesn’t just sell clothing; it sells a lifestyle, a culture. Through regular events, pop-ups, and engagements, the brand has built a loyal community that is as much a part of its success as the designs themselves. Whether it’s hosting skate events or collaborating on art installations, Nine is always at the forefront, driving the narrative of what it means to be a part of the Nigerian streetwear scene. As we look ahead, Nine is undoubtedly a brand to watch. Its ability to innovate, collaborate, and engage is setting it apart from the rest. Tobi Naiwo’s vision for Nine is not just to be a brand but to be a cultural movement, one that reflects the vibrancy, creativity, and resilience of Nigerian youth. With each new collection, each event, and each collaboration, Nine is plotting its takeover of the streetwear scene, one bold move at a time. In a market that’s constantly evolving, staying relevant is a challenge, but Nine seems to have found the secret formula. By staying true to its roots while embracing new opportunities, Nine is not just surviving; it’s thriving. And as the brand continues to grow, one thing is clear—Nine is not just a part of Nigerian streetwear; it’s leading the charge.

Ife Olowu’s latest exhibition, “Metamorphosis: A Journey into the Future,” at Cera Cerini’s Art Hub in Lagos, Nigeria is a groundbreaking exploration of the intersection between art and technology. Ekpo magazine, serving as media partners, delves into this transformative experience that began on December 3, 2023, and captivated audiences until December 15, 2023. Olowu, a visionary Nigerian artist, is pushing boundaries by seamlessly blending the realms of technology and art. In this, his first solo exhibition, he elevates his augmented reality (AR) art pieces to new heights offering viewers an immersive encounter with an array of AR artworks. Curated by Ire Bamiji Samson, “Ife Olowu’s Metamorphosis” goes beyond being a mere exhibition it serves as a catalyst for change and provides a glimpse into the future of art. The carefully curated showcase includes both private and public viewing sessions underscoring the accessibility and inclusivity of Olowu’s visionary creations. The exhibition also hosts an artist talk, where Ife Olowu engages with fellow Nigerian artists in discussions revolving around “the business of art” and “artistic evolution.” This dialogue not only enriches the viewer’s experience but also contributes to the broader conversation about the role of art in society. In addition to the thought-provoking discussions, “Metamorphosis” features a private workshop allowing attendees to delve into the artistic process, gaining insights into Olowu’s unique approach to merging technology and traditional artistic mediums. The grand finale of the exhibition promises to be a spectacular closing ceremony complete with musical performances and the opportunity for attendees to acquire these transformative artworks. “Metamorphosis” transcends the conventional boundaries of art exhibitions offering a holistic experience that stimulates the mind and senses. As Ife Olowu propels art into the future with his innovative use of technology Ekpo magazine stands as a dedicated media partner, capturing the essence of this metamorphic journey that challenges preconceptions and paves the way for a new era in artistic expression.