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CONTEMPORARY ART IN NIGERIA THRIVES IN THE DIGITAL AGE

Ikenna Churchill for Ekpo Magazine In recent years, new digital technologies play a critical role in reshaping contemporary art: new methods of creation, sharing, and collaboration. They made art more accessible to an artist’s audience and opened new avenues for creativity. Indeed, it has been impossible to comprehend the changes taking place without having to engage two artists, both of them Nigerians: Viroro and Sena. Digital technologies are changing the way artists work. For Viroro, who integrates digital tools into his practice, they have smoothed the creative process of turning his ideas into reality. He says AI-based applications like Gencraft and StarryAI, along with software such as Sketchbook and Krita, become a big part of his workflow. These tools offer a chance for quick experimentation, where artists can test several ideas and select those which are more compelling to development. In that regard, Sena reports that he increased his precision using digital technology and scaled up his ability to plan and test, rather than going directly to final works. New opportunities have also opened up for collaboration and networking. Social networking sites have increasingly become the area where one can actually get to see the work of others, receive some comments, and establish professional connections. Viroro continues that sharing his works online has provided an avenue to reach out to artists and art enthusiasts all over the world for international collaborations unlikely to have been facilitated through alternative media. According to Sena, the digital space evokes interest and reaches potential clients and collaborators. He bridged the gap between artists and audiences alike by sharing his process online. Digital technology has made contemporary art in Nigeria (and the rest of the world) more accessible than ever before. Digital sharing, virtual exhibitions, and online platforms are broadening artistic practices to wider, worldwide audiences, moving beyond constraining frameworks of traditional physical galleries. Sena underlines that digital platforms allowed him to approach and attract new viewers from around the world, getting feedback helpful for him to polish his art. Viroro also told me that sharing photos, reels, and videos of his art on Instagram and TikTok has really been instrumental in boosting his visibility. This has opened up a lot of exciting new avenues through the use of current digital techniques. “The ability to work both specifically and loosely in digital pre-sketches is a big deal as it allows artists to really home in on their ideas through detailed preliminary sketches before finalizing an actual work,” says Sena. “He usually composes and pours colors into his works, so in the digital sketch stage, after that he wouldn’t have any further problem making his final piece exactly how he envisioned it. Also, sharing this digital creative process through social media finds artists like Sena reaching wider audiences for which, in the past, exposure or receiving feedback would be too far and few. Viroro concurs: “The digital space is a dynamic platform where contemporary art can be reimagined and presented to attract a digitally engaged audience.” The development of digital technologies will prove to be very transformative for 21st-century art. Far from being eclipsed, many artists are embracing this new section in time as an opportunity to explore new innovations and expand on their practices even further. Holography and other virtual approaches, through high-resolution digital imaging, will serve to explore and relate new elements and notions in the creation, dissemination, and preservation of the art of this stage that continues to emerge and change with each new generation. The experiences of artists like Viroro and Sena, thus, are such that the effects of digital technology will have placed contemporary art into more places than at any time in history, to be literally enjoyed by people from all walks of life. As technology moves forward, this fusion of digital with contemporary is about to open many more doors which basically means that contemporary art remains a dynamic force and an integral part of the landscape of creation. what are your thoughts on Contemporary Art in Nigeria in the digital age? -A piece by Ikenna Churchill for Ekpo Magazine

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“WHEN THE SAINT’S GO MARCHING IN”: SOLDIER’S FIRST SOLO EXHIBITION

Soldier’s very first solo exhibition, titled “when the saints go marching In,” further cements his position as one of London’s fast-rising artists to keep an eye on. For his very first solo exhibition (and first exhibition where he actually uses his government name), Leonard “soldier” Iheagwam sheds more light on why he adopted the military term, his background as a member of the Igbo tribe from western Nigeria, as well as political and social commentary. attire saint (a community page on Instagram) speaks on how the name came about “Born in Lagos, the name SOLDIER is connected to the political and civil unrest during his upbringing in Lagos where no civilians were allowed to wear camouflage. SOLDIER then started painting camouflage to break this rule as it symbolized freedom and he wanted to reimagine what is portrayed as violent into something beautiful”. attire saint The exhibition, hosted by the Incubator 12 gallery in London, U.K., opened it’s doors to the audience for an immersive experience on the 17th April and will run up until the 28th of April 2024. the Exhibition features several mediums and channels to convey a very strong tone and message. A niche blog (The New Art Room) present at the exhibition describes the experience very vividly. you get to explore many different worlds within his pieces. Being greeted with distinctive sounds added to the experience positively, and you question all the pieces and what they mean to you. Looking more profound, the use of bold and bright colors pulls you into a trance where you are fixed on looking at the subject in each given piece. With inspiration from his roots, you can see how it is reflected in his art and get a sense of pride. Very talented, the ideas portrayed could inspire a whole generation. The New Art Room Aside the brilliance of the works on display, SOLDIER’s work portrays figures and relevant themes from his childhood and culture like his father,, Two time Olympic medalist Mary Onyali, boxing champion Dick Tiger figurines of Igbo soldiers during the Biafra war in eastern Nigeria and his reverend. Leonard has described his art as Igbo pop art, drawing inspiration from the Nsukka Art Movement. it’s very interesting to see a kid that ran away from home at the age of 16 to start the skate-brand “Motherlan” with his companions Olaoluwa Akeredolu-Ale “Slawn” and Onyedi, while also getting a scholarship to study graphic design has snowballed into having his own exhibition in London, and collaborating with the likes of Supreme, Louis Vuitton, and Nike, to name a few. It’s very interesting to see where his story goes form here.

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EXPLORING THE VIBRANCY OF NIGERIAN ART: 8 ARTIST YOU SHOULD KNOW

we’ve put together a list of some Nigerian Artists you should know. as we dive into the vibrant world of Nigerian art and unveil eight remarkable artists reshaping the creative landscape. From Dipo Doherty’s abstract brilliance to Ayobola Kekere-Ekun’s surreal, quilled masterpieces each artist brings a unique perspective, transcending boundaries and captivating audiences worldwide Dipo Doherty: Bridging Cultures through Abstract Expression Dipo Doherty, a U.S.-based Nigerian artist, captivates with vibrant abstract paintings exploring culture and identity. With degrees in mechanical engineering and integrated design, he brings a scholarly approach to his art while juggling a full-time IT role. Samson Bakare: From Lagos to Gucci – A Journey of Multidisciplinary Art Lagos-born Samson Bakare gained fame for his dynamic portrayals of dark-toned bodies against flowery backgrounds. His collaboration with Gucci marked a turning point, solidifying his status as a multidisciplinary artist. Ayanfe Olarinde: Scribbling Stories of Identity Ayanfe Olarinde, a contemporary visual artist, gained recognition through panel talks and collaborations with artists like Asake. Her self-taught, “scribbling” style extends beyond visual art to her contemporary clothing brand, “WWYD” (What Would You Do). Nengi Omuku: Sculpting Identity and Culture A trained sculptor, creative artist, and painter, Nengi Omuku brings a wealth of experience to the Nigerian art scene. Her mixed-media sculptures delve into the female form, cultural representation, and identity showcasing her expertise honed at the Slade School of Fine Art in London. Dricky: Liberating Walls with Boundless Creativity Dricky embodies liberal art expression, from graffiti on walls to expansive murals. His artistic journey knows no bounds, reflecting pure creative impulse and a commitment to breaking free from conventional constraints. Ife Olowu: Augmented Reality and the Fusion of Art with Technology Ife Olowu pioneers the integration of science and technology into African art. His works feature hidden Augmented Reality components, such as sound and animation placing him in the spotlight for his innovative approach in the contemporary art scene. Ifenyinwa Chiamonowu Joy Exploring Igbo Afro Realism through Hyper Realistic Pencil Drawings,Chiamonowu Joy’s hyper-realistic pencil drawings labeled as Igbo Afro Realism art, delve into cultural heritage, spirituality, and African mythology. Her showcase at the Jack Shainman Gallery in New York since 2021 highlights her commitment to elevating African narratives. Ayobola Kekere-Ekun: Surrealism and Quiling – A Palette of Colorful Imagery Ayobola Kekere-Ekun, a contemporary visual artist based in Lagos, employs the surrealist technique of quilling. Her childlike, colorful imagery serves as a powerful medium to discuss themes like sexism and black identity, creating a unique and thought-provoking artistic experience.

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WHAT’S HAPPENING AT CHALE WOTE STREET ART FESTIVAL 2023?

The week-long Chale Wote Street Art Festival offers a venue for Ghana’s creators, artists, musicians, and makers of immersive content to congregate in James Town (one of the oldest districts in the country) and bring their works to life. Every August, the CHALE WOTE Street Art Festival features more than 200 local and international artists from Ghana. By collaborating in the creation and appreciation of art, the festival aims to foster interactions between domestic and foreign artists and patrons. Every festival has a different theme that unites the celebrations each year. The annual theme highlights the festival’s varied nature as well as the history of Ghanaian culture and, more broadly, the African diaspora. The theme of this year’s Street Art Festival is Magneto Motherland, illustrating the interwoven tensions that set off African resistance during the wars that eventually forced out European rule in Africa. The event kicked off on the 21st of August and will run until the 27th. It’s all taking place in Osu, a neighborhood in central Accra, Ghana. The Grand Finale of the Festival will be held at the Black Star Square, Osu. here’s what we know about the festival so far; DAY OF REMEMBERING “ALL WHITE PROCESSION” With a strong sense of cultural significance, the festival started off with the Day of Remembering Procession (All White Attire). the story of the enslaved is reframed With this procession. painting a vivid picture of slaves being forced into an agonizing fate as they made their way to ships off the coast of Osu many years ago. THIS IS NOT MAKE BELIEVE EXHIBITION BY AFUABE  The Ghanaian art collective Afuabe has officially opened their exhibition at the street art festival, “This is Not Make-Believe”. The tale of Afro-Brazilian abolitionists struggling to free themselves from slavery during the Male uprising in Bahia in 1835 is prominently depicted. The majority of them traveled back to modern-day Ghana, Togo, and Nigeria. The exhibition is open until August 27, 2023. THE LABS The LABS is a five-day event that includes artist talks, movie screenings, unique workshops, DJ sets, mixers, and live performances. During this event, artists taking part in CHALE WOTE 2023 will speak with audiences about their creative processes, projects, and partnerships as they delve deeply into the festival’s subject, Magneto Motherland. Film Labs works hand in hand with the Africa Film Society and the Black Star International Film Festival. GRAND FINALE ON THE 26TH AND 27TH The grand finale taking place at Black Star Square, Osu and other venues on the festival map, including christiansborg castle gardens and freedom & Justice from Saturday 26th August, 2023- Sunday 27th August, 2023. will not only feature dance and drama presentations, but also exhibitions from indigenous artists, like an aluminum sculpture by Tei Huagie, “blue” by kein diallo, and “stairway into the ether.” A 150-foot Ga Samai-designed drape in majestic beauty by Naa Dei Other finale events include performances under the theme of art as ritual and ceremony, an art and crafts market for Accra’s artisans and makers far and near to bring out their creations for a pop up sale and so much more. Events like Chale Wote are arguably the most genuine depictions of African culture expressed through different mediums, by Africans. A true platform to showcase African Art. Check out some streetstyle pictures from the event so far below;

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EXPLORING THE FUSION OF ART AND TECHNOLOGY; IFE OLOWU’S VISION OF THE FUTURE

Meet Ife Olowu, the Nigerian artist who literally brings his art to life using technology. from a scene of a man playing joyful tunes on his flute, to birds flying in the air over busy streets of Lagos to a car zooming past a dark, shady street at night. Ife Olowu uses Augmented reality to create a whole new experience with his art. Olowu’s approach is a harmonious marriage of artistic ingenuity and cutting-edge technology. By leveraging AR, he infuses his creations with life, enabling them to dynamically interact with their environment and the viewer. A stroke of his virtual brush can transform a static painting into a dynamic dance of colors, while his sculptural pieces can unfurl narratives that seem to emerge from another dimension. It’s as if his art has broken free from the confines of the physical world, offering a glimpse into a reality where imagination and technology coalesce. In an interview with CNN earlier this month, the artist narrates his thought process and how he decided to incorporate technology into his art. we’ve been seeing the usual paint on canvas, I decided to do something unique something extraordinary. Ife Olowu for CNN In what he describes as “art work for the future”, Ife is carving a niche for himself by blending his hand painted art on canvas with the boundless abilities of artificial intelligence. he does this by taking a picture of the finished painting, then uploads it online to augument it using tech tools to add effects like light, sound, etc. so at his exhibition, all visitors have to do is scan a code with their phone and then hold it up to the painting to see the hidden messages and details. Ife’s approach makes a strong case for art collectors and lovers to experience art with multiple senses.

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